|
April 4, 2005
AP PHOTOJOURNALISTS WIN PULITZER PRIZE
Vice President and Managing Editor Mike Silverman, from left,
Deputy Director of Photography/National David Ake, Deputy
Director of Photography/International Michael Feldman, Director
of Photography Santiago Lyon, President and CEO Tom Curley,
and Senior Vice President and Executive Editor Kathleen Caroll,
celebrate after learning that The Associated Press won the
Pulitzer Prize for breaking news photography for their coverage
in Iraq, at AP headquarters in New York, Monday, April 4,
2005. (AP Photo/Richard Drew)
NEW YORK – A team of Associated Press photographers
– including five Iraqis covering the war in their homeland
– have won The Pulitzer Prize for breaking news photography.
It's the 48th Pulitzer for the world's oldest and largest
news cooperative and the 29th awarded for AP photos.
The AP won for a series of graphic and heartbreaking
pictures of bloody combat in Iraq. Some of the photos had
already won prizes. Many were taken at great personal risk
to the photographers, including pictures of gunmen executing
Iraqi election workers in the midst of morning traffic, and
the charred remains of U.S. contractors who had been killed,
dismembered, burned and hung from a bridge in Fallujah.
"These photographers showed extraordinary courage,"
said AP President and CEO Tom Curley, who celebrated the first
Pulitzer AP has won since he became leader of the news cooperative
June 1, 2003.
"This is a real testament to the
best that AP can be that this prize was won by photographers
who came into Iraq on assignment, and five Iraqis who work
in the most dangerous place on the earth, to tell the story."
said AP Senior Vice President and Executive Editor Kathleen
Carroll.
"Their images have a power that will last through history.
When we want to look back at what happened in 2004, we'll
look at their images."
The photographers cited were Bilal Hussein,
Karim Kadim, Brennan Linsley, Jim MacMillan, Samir Mizban,
Khalid Mohammed, John B. Moore, Muhammad Muheisen, Anja Niedringhaus,
Murad Sezer and Mohammed Uraibi. An unnamed stringer was credited
in the photo package for the picture of a daytime execution
of vote workers, with the anonymity due to security concerns.
The Iraqi team included Hussein, Kadim, Mizban, Mohammed and
Uraibi. The photographers who were on assignment in Iraq were
Linsley, from Jerusalem; MacMillan, who is returning to the
Philadelphia Daily News from Baghdad; Niedringhaus from Geneva;
and Moore, who has since left the AP. All the Iraqi photographers
have been recruited, tested and trained on an ongoing basis
by the visiting photographers.
The Iraqi photojournalists risked their lives in frequently
dangerous situations to get all sides of the story for the
AP and to provide readers, listeners and viewers around the
world with a level of access to their homeland unmatched by
any other news organization.
As a crowd gathered around the photo desk
at AP headquarters in New York on Monday, April 4, to hear
an announcement, CEO Curley stood atop a chair beside Executive
Editor Carroll to congratulate the staff. "They took
some extraordinary pictures, they captured some incredible
moments in history and they did it in a way that made all
of us proud," he said.
Here are abbreviated bios:
Khalid Mohammed, Baghdad, worked with AP for the past two
years, spent
significant time in Fallujah and at great personal risk, took
the photos of the U.S. contractors killed, then dismembered,
burned and their charred remains hung from a bridge. Mohammed
said he was threatened immediately after taking the picture
and had to escape quickly by car. "I told the driver
to keep the engine running, just in case," he said.
Bilal Hussein remained behind in his hometown neighborhood
so he could
document the events of the battle for Fallujah, obtaining
for AP a stunning and exclusive photo showing Iraqi insurgents
firing their weapons. When he was forced to flee to Baghdad,
his house – and his cameras – were destroyed in
the fighting.
Mohammed Uraibi, Baghdad was hired and trained by AP's visiting
non-Iraqi photographers.
Samir Mizban and Karim Kadim, Baghdad, navigated the hostile
areas in the Iraqi capital, including the Sadr City neighborhood.
Jim MacMillan, a Philadelphia Daily News photographer who
is wrapping up a one-year assignment for AP in Iraq at the
end of April, has been primarily embedded with U.S. forces,
and involved in editing the work of Iraqi photographers from
the field. Of the Pulitzer notification, MacMillan said he
found out when AP Director of Photography Santiago Lyon sent
him an instant message saying he should call New York –
now.
"I didn't suppose he wanted a call immediately to tell
us we lost," MacMillan said.
Brennan Linsley, Jerusalem, was on assignment in central Iraq.
On another assignment, he was lightly wounded – scratched
by shrapnel.
Muhammed Muheisen, Jerusalem, based in West Bank, was on his
first assignment in Iraq.
Murad Sezer, Istanbul, has the versatility to shoot sports,
news and feature work, and has been on several tours in Iraq.
Anja Niedringhaus, Geneva-based photographer, has spent many
tours in Iraq, and covered the U.S. Marines in their assault
on Fallujah.
John B. Moore, who had been based in Cairo, got exclusive
access to the U.S. military hospital in Baghdad and took a
memorable shot of medics attempting to resuscitate a dying
soldier.
Contact: Jack Stokes, AP Corporate Communications, 212.621.1720
On the Net:
AP STORY: Photo team
in Iraq celebrates AP's 48th Pulitzer
ADDITIONAL INFORMATION:The
Story Behind the Photo
PHOTO GALLERY:
Breaking News Photography
AP PULITZER HISTORY: http://www.ap.org/pages/about/pulitzer/list.html
PULITZER PRIZE WEB SITE: http://www.pulitzer.org
|